Packed with nothing but “big scenes” and breathlessly paced in a way that suggests panic at the idea the audience might get bored if things were slowed and toned down even for a moment, pic opens in voluptuous black-and-white with a nine-minute Transylvanian prologue, set in 1887, in which Dracula (Richard Roxburgh) puts the bite on Dr. ![]() In the end, the concoction seems far more contrived than plausible, but the sense of evil overkill is entirely representative of the picture itself, which repeatedly looks ready to blow all its fuses due to sensory overload. Sommers no doubt thought long and hard about how to make a sensible team of these fabled creatures, each of which has its own literary and cinematic mythology but have also been combined before. Hyde briefly thrown in for good measure, appears intriguing on paper.
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